A History of Bluegrass ( Part 2)

By the time the folk music scene regained its popularity in the late 1950's, most famous Bluegrass singers  had lost their contracts and radio's stopped playing their music. Many folk singers, however, were heavily influenced by the Bluegrass style, and decided to bring this music back to the public. Moreover, in 1962 Flatt & Scrugs were asked to sing the theme song for the popular TV show The Beverly Hillbillies ("The Ballad of Jed Clampett"). They had no idea that by doing this, people would  forever identify bluegrass music with trashy white people. 

This revival of Bluegrass during the 1960's allowed some great old time Bluegrass singers to display their music to an entirely new audience. The Stanley Brothers and Bill Monroe were among those. The Louvin Brothers were another brother duo that regained popularity, be it on a small scale. Although they sing a number of different musical styles, I personally like the Bluegrass versions of their songs best. "I Don't Believe You've Met My Baby" is one of my (and my father in laws') favorites. 

From the late 1960's until the late 1990's Bluegrass continued to be played, although it was largely overshadowed by other more popular music styles. During this time several country singers recorded Bluegrass albums (listen to Dolly Parton's Bluegrass Collection). The real revival, however, came in the early 2000's with the soundtrack of the movie "Oh Brother Where Art Thou". Some of the biggest stars in Bluegrass and Country music can be heared on this cd (Ralph Stanley, Alison Krauss, Gillian Welch, Emmylou Harris and the Carter Family). It also includes some bands which didn't achieve national fame yet, but rightfully did through this album (The Whites and the Cox Family). Thankfully, these artists didn't stop after the Oh Brother Soundtrack. The cd compilation "Down From the Mountain" is another one of my Bluegrass favorites, and includes many of the artists that are included in the Oh Brother Soundtrack.

Below you will find "I'm A Man of Constant Sorrow", the old time tradional folk song which Ralph Stanley brought to national fame. This is actually not really George Clooney singing, but Dan Triminsky, a musician in Alison Krauss' Union Station. Notice the woman at the beginning who's asking for the Soggy Bottom Boys, that's Gillian Welch :-). More about her will follow soon.

The Soggy Bottom Boys - "I'm a Man of Constant Sorrow"

A History of Bluegrass (Part 1)

As you may have already noticed I am a enormous fan of Bluegrass music. To me, Bluegrass represents music at its core. It's where all the good things in music come together. I love the vocal harmonies in bluegrass, as well as the splendid blending of different acoustic instruments; the banjo, steel / acoustic guitar, mandonline, fiddle, and the dobro.

The man who started this all was Bill Monroe. He grew up in the early part of the last century, when Bluegrass music did not even excist.  Bill Monroe was very interested in traditional music, and was inspired by a variety of musical genres; blues, jazz, country and Victorian parlor songs. He released his first record with his brother Charlie in 1936; "What Would You Give in Exchange for Your Soul". It became a big hit in the Southeastern states of the US, and brought instant fame to the Monroe Brothers. After several severe fights with his brother, Bill decided it was best for them to part. He soon started a new band; Bill Monroe and the Blue Grass Boys. 

Bill Monroe and the Blue Grass Boys produced several big hits.  In 1940 they released a redo of Jimmie Rodger's "Mule Skinner Blues" which became very popular. Their 1946 hit "Blue Moon of Kentucky" did even better, and has since been covered by Elvis Presley, Patsy Cline and Bob Dylan (to name just a few).  It was in these two song that the Bill Monroe style was perfected. Soon Bill Monroe and his Blue Grass Boys became regulars at the Grand Ole Opry. While Bill Monroe continued to be a constant factor in his band, the Blue Grass Boys were continually replaced. Two of his former band mates that were able to also make a big name for themselves were Lester Flatt and Earl Scruggs. They started their own band The Foggy Mountain Boys and became quite famous for their hit "Foggy Mountain Breakdown"" (if you think you know how to play the guitar, try playing this song). Bill Monroe received the Grammy Lifetime Achievement Award in 1993, just a few years before he died in 1996.

"Oh, (Monroe) was the first. But it wasn't called bluegrass back then. It was just called old time mountain hillbilly music. When they started doing the bluegrass festivals in 1965, everybody got together and wanted to know what to call the show, y'know. It was decided that since Bill was the oldest man, and was from the Bluegrass state of Kentucky and he had the Blue Grass Boys, it would be called 'bluegrass.'' - Ralph Stanley

Ralph Stanley, another big name in Bluegrass, was very much influenced by Bill Monroe (although Stanley never wanted to admit this).  Ralph Stanley started performing with his brother Carter at around the same time Bill Monroe did. Even though Bluegrass wasn't really known to be a musical genre back then, the Stanley brothers copied a lot of things that Bill Monroe and his band did at the time. What the Stanley Brothers did seem to work, they became almost as popular as Monroe was. The song "Man of Constant Sorrow" (a traditional folk song) was one of their biggest hits, which Ralph continued playing after his brother died in 1966. In 2004 the song was again introduced in the soundtrack of  the movie "Oh Brother Where Art Thou".

Several "Bluegrass" musicians lost their record deals in the late 1950's. This type of music was now seen as too old-fashioned and way too hillbilly. It wasn't, however, the end of Bluegrass. More information on how Bluegrass Came About will follow soon.

Bill Monroe - "Blue Moon of Kentucky"

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A History of Bluegrass (Part 2)
My Love Letter to Alison Krauss 
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